It takes a while to build up a full arsenal, especially due to how many gems are required to level up equipment skills, but once you’ve got a foothold the game opens up into a fun combat romp. Minecraft Dungeons is designed with younger players in mind, so on standard difficulty it’s too easy for any kind of seasoned player, but after a few levels you can crank it up to the hardest and eventually get a decent challenge that can actually run the risk of killing you. Enemies attack in large numbers, whether they be familiar Minecraft creatures like zombies, spiders and skeleton-archers or newer threats such as the corrupted Illagers (like villagers but ill) or zombie-summoning sorcerers. Combat is initially a simple matter of holding down the attack button and letting the combo animation play out, broken up occasionally by needing to shoot archers that don’t want to hang out in melee range. The final levels do a nice job of putting all your abilities to the test, though, requiring regular use of magic, support pets, keeping an eye out for traps in the environment and giving the bow a good workout.
If you followed Gamescon this year, you’ll have no doubt noticed that the word on the lips of every Microsoft,Sony, and Nintendo representative was “indie.” Whether it be Sony revealing that Minecraft, Rogue Legacy, and The Binding of Issac would be part of the PS4 family, Microsoft unveiling a pretty daring new system to encourage indie development, or Nintendo showing that indie developers are fully prepared to make use of the unique capabilities of the Wii U, it became clear that both companies have suddenly realized that indies are no longer a niche market ran by eccentrics and snatched by the gaming version of hipsters, but a viable and exciting source of incredible new ideas, and creative final products.
For the most part though, the appeal here stems from getting together with your buddies and enjoying a satisfying brawler with a tightly designed combat system, and bar none some of the best level design of this generation. The multiplayer portion may only last you a couple of hours or less, but is worth revisiting several times for the simple pleasures it provides. Simply put, this is an example of old school beat em’ ups at their very best.
Each path differs in gameplay as Magnus’s path is a lot more action-oriented with the introduction of Boom Town and ‘griefers.’ Of course, we all know ‘griefers’ from the original game as annoying players who would blow stuff up. Because of this, QTEs (Quick Time Events) are utilized that were so popular in the previous episode to dodge TNT. Ellegaard’s path isn’t as action oriented and focuses more on puzzles and the character focus from the very first episode. There is a lot more dialogue in this path and a lot of it makes up the funnier aspects of this episode. This episode capitalizes on the voice actors that Telltale has gotten together like Corey Feldman (Magnus), who played Mouth in The Goonies, and Grey Griffin (Ellegaard), famous for playing Daphne Blake in the Scooby-Doo cartoon movies that bring the characters to life.
Another issue that impacted the episode as a whole were the amount of times that the members of the Order backtracked into flashbacks that told of the argument that disbanded them. While I understand that it’s crucial to the story, it took away completely from the decision making and the story that revolves around Jessie and the Wither Storm. The characters, minus a scene with Petra, receive almost no depth and leave it to the environments and the little bit of dialogue to develop them. With the environments being the main reason to play the episode, the lack of exploration doesn’t help its case. For a game that is meant to develop according to character choices, there didn’t seem to be a whole lot of decision-making going to develop the story further. Hopefully, the cliffhanger ending will pose as an entryway to further Jessie and his friend’s role in all of this instead of being focused on the Order.
This Nintendo title can offer lots of fast-paced multiplayer fun for you, friends and strangers. Thanks to Turf Mode, Ranked and Salmon Run, you and others will be able to enjoy plenty of splatisfying action. Because you play with a team of people there’s a need for teamwork and going through tough battles alongside one another bonds can form. While there hasn’t been much new in the last few months for Splatoon 2, there’s still a large amount of users at different levels of skill to make things interesting. You could easily play round after round all day and experience something new each time in each location. Also, maybe it’s time you pick up a new weapon just to change things up. Splatoon 2 keeps things fresh for those in search of online interactions.
Remember in the beginning of the 32-bit days when controllers simply weren’t designed for dragon quest builders comparison 3D cameras? You’d have games that mapped up and down viewing to the triggers, and the only way to rotate the camera was to turn your character in the right direction and manually recenter things with a button press. There were a lot of experiments, some better than others, but none held a candle to the introduction of twin-stick controllers. VR FPS is in the same state right now, and while there’s a lot of interest in getting to the twin-stick equivalent of whatever the solution ends up being, it’s not there yet. Minecraft deals with the motion sickness problem by breaking the immersion during rotation, but as long-term solutions go it feels like sticking the up/down view on the shoulder buttons. It may be graceless and awkward, but at least it gets the job done. Creating a workable free-roaming FPS viewpoint in VR is still an ongoing task, though, so until a better solution is found this will do